Looking Straight Up
A moss-covered beech trunk rises steeply from the understorey of a Chilterns woodland in Oxfordshire, the worm's-eye perspective compressing a dense summer canopy into a luminous green ceiling. The upward viewpoint emphasises the tree's dominance while secondary stems behind echo the vertical thrust. Flat overcast light holds the scene together without distraction.
- Camera
- Sony α7R IV · Sony E 14-24mm F2.8
- Settings
- 1/60s · f/2.8 · ISO 500 · 14mm
- Captured
- 30 July 2023
- Shape
- portrait
About the prints
For me, printing is the end of the photographic journey. You've done all the hard work, edited the files and reviewed them. Seeing the photograph come out of the printer is the reward. The depth of colour from a printed photograph beats seeing it on a screen a hundred times over. Bring the story and this experience home with you with a fine art print from my portfolio.
Each fine art print from my website is printed by me at home on my Canon Pro-1000 professional printer. To ensure the best prints possible, I use Fotospeed paper. This is archival grade paper, ensuring accurate colour representation. I then sign, edition and package the prints and get them posted to you. With this in mind, please allow up to 10 days for dispatch. If there will be any further delay to this, I will let you know via email - such as if I am on a trip away and it will be longer for dispatch.
If you do have specific requirements please let me know via the contact me form, and I will endeavour to solve any queries or requests. For example, if you need the print quickly for a special occasion, just let me know, and I will try my best to make it happen!
Not everything I’ve photographed is in the shop. If you’ve seen something on Instagram, in a gallery here, or at an exhibition that isn’t listed, just ask.
Why there's a border
The print will come with a white border around the photo to allow space for editioning and signing. This will also make it easier when you come to frame & mount your photograph, giving some flexibility. I sign the prints in an archival permanent marker, so it'll never fade.
Signing and editions
Every print is signed by hand in the lower border. Where a photograph is issued as a limited edition, each print is numbered, and once the last number has sold I never print that photograph at that size again. I print, sign and pack every order myself.
