Christopher Harrison Photography
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The Sun Sits on the Ridge

Pirin · Spring

A low sun sits precisely on a moorland ridgeline, its disc rendered luminous against overcast cloud while successive hill silhouettes recede into atmospheric haze. The tonal layering — from near-black foreground slopes through mid-grey ridges to a bright corona — is handled with considerable restraint. Captured late afternoon in early spring, the image reads as monochrome conversion rather than in-camera black-and-white.

Camera
Sony α7R IV · Tamron 70-300mm F4.5-6.3 Di III RXD
Settings
1/2500s · f/6.3 · ISO 100 · 244mm
Captured
31 March 2024
Shape
landscape
Appears in
Spring Photography

About the prints

For me, printing is the end of the photographic journey. You've done all the hard work, edited the files and reviewed them. Seeing the photograph come out of the printer is the reward. The depth of colour from a printed photograph beats seeing it on a screen a hundred times over. Bring the story and this experience home with you with a fine art print from my portfolio.

Bluebells at Sunrise Printed on A4
Bluebells at Sunrise printed on A4 Fotospeed paper, editioned, titled & signed.

Each fine art print from my website is printed by me at home on my Canon Pro-1000 professional printer. To ensure the best prints possible, I use Fotospeed paper. This is archival grade paper, ensuring accurate colour representation. I then sign, edition and package the prints and get them posted to you. With this in mind, please allow up to 10 days for dispatch. If there will be any further delay to this, I will let you know via email - such as if I am on a trip away and it will be longer for dispatch.

If you do have specific requirements please let me know via the contact me form, and I will endeavour to solve any queries or requests. For example, if you need the print quickly for a special occasion, just let me know, and I will try my best to make it happen!

Bluebells at sunrise printed a4 with the edition number in the bottom left corner
Showing the detail of a print - you can see all of the details of Bluebells at Sunrise up close.

Not everything I’ve photographed is in the shop. If you’ve seen something on Instagram, in a gallery here, or at an exhibition that isn’t listed, just ask.

Why there's a border

The print will come with a white border around the photo to allow space for editioning and signing. This will also make it easier when you come to frame & mount your photograph, giving some flexibility. I sign the prints in an archival permanent marker, so it'll never fade.

Signing and editions

Every print is signed by hand in the lower border. Where a photograph is issued as a limited edition, each print is numbered, and once the last number has sold I never print that photograph at that size again. I print, sign and pack every order myself.

Read more about how they're made →

More from this collection

Low dawn sun drives hard crepuscular rays through a stand of mature oaks, the residual ground mist catching each shaft and separating the trees into distinct planes of depth. Closely mown fairway turf and rough grass mounds frame the foreground, suggesting a parkland or course setting rather than ancient wildwood. The exposure holds detail in the lit mist without burning the source, a technically precise balance.
Hard Light Through Oak The Chilterns From £55
A temperature inversion fills the valley floors of the southern Chilterns at dawn, leaving hilltop fields and woodland copses as islands above the fog. A rapeseed field catches the pale morning light, its yellow cutting cleanly against the muted grey-green of the mist. The layering of fog, field, and pastel sky gives the scene a quiet structural precision unusual at this scale.
Hilltops Only The Chilterns From £55
Low-level mist pools between ridges of mixed deciduous woodland in the Chiltern Hills near Henley-on-Thames, captured from altitude in early morning light. A temperature inversion holds the fog in the valley floors while tree canopies emerge as islands above the white. A small cluster of farm buildings in the lower frame provides quiet scale.
Mist Between Ridges The Chilterns From £55
Three silhouetted trees frame a valley floor buried beneath a dense temperature inversion, the mist pooling in layered bands that isolate distant tree islands at first light. The cool blue register of pre-sunrise holds the scene in suspension, with a contorted trunk on the right providing quiet counterpoint to the upright forms. Captured in early May at 05:04, the foliage confirms the season without drawing the eye from the atmospheric depth beyond.
Three Trees, One Valley The Chilterns From £55
A dense carpet of English bluebells covers the floor of a beech woodland at Micheldever Wood in Hampshire in early May, the trees in fresh leaf backlit by low morning light filtering through the canopy. The contrast between the luminous green foliage and the deep violet-blue of the flowers gives the scene an unusual chromatic intensity. Soft directional light from the left catches individual tree trunks, drawing the eye into the depth of the wood.
The Blue Floor, Micheldever Micheldever Wood From £55
A carpet of bluebells spreads beneath fresh-leafed beech trees in Micheldever Wood, Hampshire, caught in early morning mist. Diffused dawn light filters through the canopy, softening the trunks into a receding series of verticals. The complementary contrast between blue-violet ground flora and lime-green foliage gives the scene its quiet intensity.
Mist Over Micheldever Micheldever Wood From £55