Christopher Harrison Photography
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Virga and Two Rainbows

Cairngorms National Park · Spring

A primary and secondary rainbow descend into a boreal pine forest on the Cairngorm plateau as a curtain of virga sweeps across the massif. The aerial vantage isolates the full arc against a bruised cumulonimbus base, with snow-capped summits visible through a break in the weather to the east. Spring snowpack on the high ground confirms the season.

Camera
DJI Mavic 3 Pro
Settings
1/240s · f/2.8 · ISO 100 · 12mm
Captured
19 April 2026
Shape
panoramic
Appears in
Spring PhotographyAerial & Drone Photography

About the prints

For me, printing is the end of the photographic journey. You've done all the hard work, edited the files and reviewed them. Seeing the photograph come out of the printer is the reward. The depth of colour from a printed photograph beats seeing it on a screen a hundred times over. Bring the story and this experience home with you with a fine art print from my portfolio.

Bluebells at Sunrise Printed on A4
Bluebells at Sunrise printed on A4 Fotospeed paper, editioned, titled & signed.

Each fine art print from my website is printed by me at home on my Canon Pro-1000 professional printer. To ensure the best prints possible, I use Fotospeed paper. This is archival grade paper, ensuring accurate colour representation. I then sign, edition and package the prints and get them posted to you. With this in mind, please allow up to 10 days for dispatch. If there will be any further delay to this, I will let you know via email - such as if I am on a trip away and it will be longer for dispatch.

If you do have specific requirements please let me know via the contact me form, and I will endeavour to solve any queries or requests. For example, if you need the print quickly for a special occasion, just let me know, and I will try my best to make it happen!

Bluebells at sunrise printed a4 with the edition number in the bottom left corner
Showing the detail of a print - you can see all of the details of Bluebells at Sunrise up close.

Not everything I’ve photographed is in the shop. If you’ve seen something on Instagram, in a gallery here, or at an exhibition that isn’t listed, just ask.

Why there's a border

The print will come with a white border around the photo to allow space for editioning and signing. This will also make it easier when you come to frame & mount your photograph, giving some flexibility. I sign the prints in an archival permanent marker, so it'll never fade.

Signing and editions

Every print is signed by hand in the lower border. Where a photograph is issued as a limited edition, each print is numbered, and once the last number has sold I never print that photograph at that size again. I print, sign and pack every order myself.

Read more about how they're made →

More from this collection

Aerial view of a regenerating hillside forest above Arco da Calheta, Madeira, where bleached standing deadwood rises through spring fog alongside vivid new-season understorey growth. The interplay of pale skeletal trunks against emergent green, softened by rolling cloud, gives the scene an uncommon graphic tension. A single bird — faint in the mist — anchors the scale without demanding attention.
After the Fire From £55
A vivid primary rainbow descends into dense mixed woodland above the Thames Valley, viewed from elevation on an unsettled May afternoon. Rain still falls visibly at mid-distance while low sun catches the canopy, creating a sharp tonal divide between lit and shadowed tree cover. The elevated vantage compresses the rolling patchwork of fields and woodland into a single plane beneath the arc.
Rainbow Over the Weald The Chilterns From £55
Low dawn sun drives hard crepuscular rays through a stand of mature oaks, the residual ground mist catching each shaft and separating the trees into distinct planes of depth. Closely mown fairway turf and rough grass mounds frame the foreground, suggesting a parkland or course setting rather than ancient wildwood. The exposure holds detail in the lit mist without burning the source, a technically precise balance.
Hard Light Through Oak The Chilterns From £55
A temperature inversion buries the Thames Valley beneath a flat sea of cloud at dusk, the gibbous moon suspended in a sky grading from powder blue through rose to lavender. Shot from elevation above Abingdon-on-Thames, the compression between cloud ceiling and clear upper atmosphere creates a horizon line of unusual stillness. The near-total absence of hard edges gives the frame a quality closer to watercolour than photography.
Moon Above the Cloud Sea The Chilterns From £55
A temperature inversion fills the valley floors of the southern Chilterns at dawn, leaving hilltop fields and woodland copses as islands above the fog. A rapeseed field catches the pale morning light, its yellow cutting cleanly against the muted grey-green of the mist. The layering of fog, field, and pastel sky gives the scene a quiet structural precision unusual at this scale.
Hilltops Only The Chilterns From £55
Low-level mist pools between ridges of mixed deciduous woodland in the Chiltern Hills near Henley-on-Thames, captured from altitude in early morning light. A temperature inversion holds the fog in the valley floors while tree canopies emerge as islands above the white. A small cluster of farm buildings in the lower frame provides quiet scale.
Mist Between Ridges The Chilterns From £55