Christopher Harrison Photography
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The Bee's Morning

The Chilterns · Spring

A honey bee works the raceme of a common bluebell in full spring bloom, the sharply rendered insect set against a soft wash of violet and green from the surrounding woodland floor. Strong directional light picks out the bee's banding and the translucent bell petals. The shallow depth of field isolates the subject cleanly without contrivance.

Camera
Sony α7R IV · Sigma 24-70mm F2.8 DG DN Art
Settings
1/200s · f/6.3 · ISO 100 · 50mm
Captured
14 April 2024
Shape
landscape
Appears in
Bluebell Woodlands

About the prints

For me, printing is the end of the photographic journey. You've done all the hard work, edited the files and reviewed them. Seeing the photograph come out of the printer is the reward. The depth of colour from a printed photograph beats seeing it on a screen a hundred times over. Bring the story and this experience home with you with a fine art print from my portfolio.

Bluebells at Sunrise Printed on A4
Bluebells at Sunrise printed on A4 Fotospeed paper, editioned, titled & signed.

Each fine art print from my website is printed by me at home on my Canon Pro-1000 professional printer. To ensure the best prints possible, I use Fotospeed paper. This is archival grade paper, ensuring accurate colour representation. I then sign, edition and package the prints and get them posted to you. With this in mind, please allow up to 10 days for dispatch. If there will be any further delay to this, I will let you know via email - such as if I am on a trip away and it will be longer for dispatch.

If you do have specific requirements please let me know via the contact me form, and I will endeavour to solve any queries or requests. For example, if you need the print quickly for a special occasion, just let me know, and I will try my best to make it happen!

Bluebells at sunrise printed a4 with the edition number in the bottom left corner
Showing the detail of a print - you can see all of the details of Bluebells at Sunrise up close.

Not everything I’ve photographed is in the shop. If you’ve seen something on Instagram, in a gallery here, or at an exhibition that isn’t listed, just ask.

Why there's a border

The print will come with a white border around the photo to allow space for editioning and signing. This will also make it easier when you come to frame & mount your photograph, giving some flexibility. I sign the prints in an archival permanent marker, so it'll never fade.

Signing and editions

Every print is signed by hand in the lower border. Where a photograph is issued as a limited edition, each print is numbered, and once the last number has sold I never print that photograph at that size again. I print, sign and pack every order myself.

Read more about how they're made →

More from this collection

A dense carpet of English bluebells covers the floor of a beech woodland at Micheldever Wood in Hampshire in early May, the trees in fresh leaf backlit by low morning light filtering through the canopy. The contrast between the luminous green foliage and the deep violet-blue of the flowers gives the scene an unusual chromatic intensity. Soft directional light from the left catches individual tree trunks, drawing the eye into the depth of the wood.
The Blue Floor, Micheldever Micheldever Wood From £55
A carpet of bluebells spreads beneath fresh-leafed beech trees in Micheldever Wood, Hampshire, caught in early morning mist. Diffused dawn light filters through the canopy, softening the trunks into a receding series of verticals. The complementary contrast between blue-violet ground flora and lime-green foliage gives the scene its quiet intensity.
Mist Over Micheldever Micheldever Wood From £55
A winding woodland path in Micheldever Wood, Hampshire, borders a bluebell floor beneath freshly leafed beech canopy, the far end of the track dissolving into soft spring mist. The panoramic framing contains both the dense interior wood and the boundary fence, giving the composition two competing focal pulls. Light is diffuse and even, catching the translucent new foliage without producing the directional drama the scene might otherwise offer.
The Path That Dissolves Micheldever Wood From £55
An intentional camera movement exposure compresses a bluebell-carpeted beech woodland in Micheldever Wood, Hampshire into vertical streaks of violet and lime. The technique dissolves botanical detail into pure colour and tone, the dark trunks providing just enough structure to anchor the composition. Captured at dawn in early May, the fresh canopy light reads as luminous yellow-green against the cool blue of the forest floor.
Vertical, Micheldever Micheldever Wood From £55
A carpet of native bluebells covers the woodland floor beneath mature beech trees at Badbury Clump near Faringdon, Oxfordshire, their lower trunks catching warm early-morning sidelight. The raking dawn illumination separates the amber bark from the cool violet-blue ground layer, compressing the wood into a rhythmic pattern of verticals. Captured in late April at peak bluebell flowering.
Badbury, Lower Light Badbury Clump From £55
A moss-covered trunk rises from a dense carpet of native bluebells on the woodland floor at Badbury Clump near Faringdon, Oxfordshire. The leaning angle of the tree provides a quiet diagonal against the near-uniform violet ground cover. Soft, diffuse light suggests an overcast spring morning, muting contrast across the scene.
The Leaning Trunk Badbury Clump From £55