Christopher Harrison Photography
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Winter Landscape Photography UK

Winter Photography

Winter is my favourite season to photograph and it is not close. The trees are bare so the shapes do the work, the light stays low all day instead of for twenty minutes, and hoar frost turns an ordinary hedgerow into something worth standing in the cold for.

Most of these are from the Chilterns and the Thames Valley, with a run of frosted mornings from the Cairngorms. A good number were made with the drone - a frosted woodland from above is a completely different photograph to the same woodland from the path, and getting up over an inversion on a still winter morning is about as good as this gets.

You do have to be out there, mind. Nothing in this collection happened at a civilised hour.

All available as fine art prints.

78 photographs · prints available
Frozen by the Loch
The cover photograph Frozen by the Loch See the print →
A temperature inversion fills the Thames Valley lowlands with layered fog, isolating copses and conifer ridgelines as dark silhouettes against luminous white. Shot from elevation above Henley-on-Thames in late January, the compression of a long focal length stacks the receding planes into near-abstract bands of tone. A church spire emerges faintly at mid-distance, the sole human measure in an otherwise elemental scene.
Copses and Ridgelines The Chilterns From £55
Leafless beech and understory shrubs recede into dense winter fog in the Chilterns, Oxfordshire, the tonal recession creating a natural layering from dark foreground trunks to pale dissolved canopy. A low-branching suppressed tree at centre-right anchors the composition against the vertical rhythm of the surrounding stems. The monochrome conversion amplifies the mist's diffusing effect, stripping the scene to structure and tone.
Recession in Grey The Chilterns From £55
Bare beech trunks recede into dense fog on a still January morning in the Chilterns, Oxfordshire, the cool blue cast of pre-dawn light flattening the woodland into successive planes of tone. Fallen leaf litter on the forest floor anchors the foreground, while the mist erases all distance beyond the middle canopy. The restrained palette and rhythmic spacing of the trees give the scene a graphic quietness rarely achieved without a clear structural accident.
January Blue The Chilterns From £55
A beech branch clings to its final rust-coloured leaves against a fog-filled interior of Chilterns woodland in Oxfordshire, the background reduced to pale vertical columns of unseen trunks. Captured in the blue-grey stillness of a January morning, the image draws tension from the contrast between the intricate tracery of bare twigs and the scattered warmth of unreleased autumn foliage.
Clinging On The Chilterns From £55
A small cluster of bare-branched trees crowns a rounded hilltop as ground fog rolls across the mid-distance, backlit by low winter dawn light that saturates the scene in deep amber. The silhouetted treeline of a wood in the background adds a second horizontal layer, reinforcing the sense of depth within the inversion. The dark foreground slope anchors the composition and throws the illuminated fog bank into sharp relief.
Fog Rolls Under Brightwell Barrow From £55
A small copse on Brightwell Barrow, near the Wittenham Clumps in Oxfordshire, emerges from a shallow temperature inversion across the farmland, January 2026. Low winter sun catches the fog from the east, reducing the landscape to a single silhouetted subject against a field of luminous amber. Tractor lines in the crop below anchor the image to the agricultural plain being consumed by the mist.
Above the Amber Brightwell Barrow From £55
A small cluster of bare winter trees at Brightwell Barrow, near the Wittenham Clumps in Oxfordshire, emerges from a shallow fog inversion above arable farmland. Shot from directly above at low altitude, the trees cast a long shadow through the mist toward the viewer, anchoring the composition against a sea of warm golden vapour. The diagonal tension between fog layers and the singular dark form gives the image an abstract quality rare in aerial landscape work.
Emerging at Brightwell Brightwell Barrow From £55
A temperature inversion settles across the Thames Valley near Wallingford, submerging the farmland in dense fog while bare oak trees emerge as dark silhouettes at varying depths. The elevated drone perspective compresses the receding layers of mist into near-abstract bands of cool blue-grey, with hedgerow trees in the foreground providing scale and anchoring the composition.
Wallingford Under Fog Thames Valley From £55
A temperature inversion pools valley mist between forested ridges near Aviemore, the Cairngorms, on a December morning. A solitary monument crowns the nearest wooded hill, its silhouette the only vertical interruption in a composition built entirely from receding planes of light and atmosphere. The distant Highland peaks dissolve into a warm, pale sky, compressing depth into something almost painterly.
Ridges Before Dawn Cairngorms National Park From £55
A temperature inversion pools across the Strathspey valley floor near Nethy Bridge on a winter solstice dawn, mist threading between stands of Scots pine and birch while the low sun catches the upper fog layer in warm relief. The loch or river channel in the foreground anchors the composition, its dark surface a counterweight to the luminous cloud above. The Cairngorm massif recedes silhouetted behind, lending scale to the inversion depth.
Solstice Dawn, Strathspey Cairngorms National Park From £55
A dense stand of conifers on a hillside near Kingussie dissolves into low cloud, the mist erasing the upper canopy and compressing the scene into layered tones of grey-green. The aerial vantage flattens perspective, reducing the forest to texture and gradient. Captured in late December, the muted palette and diffuse light give the image a quiet, suspended quality.
Kingussie Under Cloud From £55
An aerial view looking west along a forested river valley in the Cairngorms, the watercourse curving through ancient Scots pine and mixed woodland below sculpted hillsides. Layered mountain ridges dissolve into a warm, low sun on a clear winter afternoon, the cold-toned river contrasting with the golden atmosphere above. The elevated vantage gives scale to the valley's depth while isolated pines on the foreground slope anchor the composition.
The Dee at Dusk Cairngorms National Park From £55
A network of stress fractures radiates across the surface of frozen ground near Nethy Bridge, Cairngorms, captured from directly above in late December. The monochromatic blue palette — deepened by low winter light and the drone's angle of incidence — renders the ice as something closer to celestial cartography than familiar landscape. Frost crystals and air pockets beneath the surface add granular texture at the margins.
Fractured Ice Cairngorms National Park From £55
Low winter sun rakes across the upper Dee valley near Aviemore, illuminating a braided river channel threading through ancient Caledonian pinewoods. Receding ridges of the Cairngorms dissolve into atmospheric haze, the warm sidelight separating each plane of the landscape in tonal layers. The bare birch mixed through the Scots pine canopy confirms the depth of the season.
The Braided Dee Cairngorms National Park From £55
A hoar-frosted silver birch stands at the margin of a still loch in the Cairngorms, photographed from above the canopy in the cold blue light of a December morning. The mirror-calm water flattens to a near-abstract wash of deep royal blue behind the white-etched canopy, stripping the scene to pure form and tone. The aerial perspective removes any horizon, leaving tree and water as the only subjects. Award winner
Frozen by the Loch Cairngorms National Park From £55
At first glance, this tree looks to be standing on a hilltop, covered in hoar frost, backed by a beautiful deep blue sky. However, on further inspection it becomes clear it has fallen onto it's side into a remote Scottish Loch. This was captured in the Cairngorms National Park in Scotland, on a bitterly cold winters morning, in December 2025. Whilst it was well below freezing, the water had not frozen as it was the first day of this cold spell. Awarded
The Fallen One Cairngorms National Park From £55
A heavily frosted birch emerges above a temperature inversion in Strathspey, Cairngorms National Park, December 2025. The mist pool fills the valley floor while a conifer-clad ridge recedes into cloud above, compressing the scene into a near-monochromatic study of cold and stillness. The aerial vantage isolates the dominant tree against the white atmosphere without reducing it to abstraction.
One Birch Above the Inversion Cairngorms National Park From £55
A grove of mature oaks stands heavily rimed with hoarfrost on the floor of Strathspey, Cairngorms National Park, December 2025. The warm ochre of dead bracken beneath provides the only colour against a near-monochrome scene of frosted understorey and hill fog rolling off the slopes above. The elevated drone position reveals the full extent of the frost event across the valley floor.
The Rimed Oaks Cairngorms National Park From £55
Overlapping sheets of ice crystal formations cover a flat surface, their radiating needle-like dendrites and smooth swept lobes rendered in uniform steel blue. The monochromatic palette and raking light reveal fine surface topography across the frozen plane. Captured at close range, the image reads as pure texture and pattern.
Dendrites Cairngorms National Park From £55
A veteran Scots pine dominates the foreground, its deeply furrowed bark and sweeping lateral branches filling the frame against a frost-bleached understorey. Behind, bare deciduous stems recede into cool shadow, contrasting with the pine's retained green canopy. The frost on grasses and heathland vegetation places the image firmly in a cold, still midwinter morning.
The Old Scots Pine Cairngorms National Park From £55
A low winter sun catches the leading edge of a frost-covered conifer plantation above Aviemore, the warm raking light dissolving into cold hoar-grey as the eye moves deeper into the fog. Shot from above on Christmas morning, the image reads as near-abstract — a clean diagonal boundary between light and shadow bisecting the forest canopy. The Cairngorms plateau holds its habitual inversion, compressing the atmosphere into a single luminous band.
The Frost Line Cairngorms National Park From £55
Hoarfrost coats a dense mat of woodland-floor moss, dead leaves, and a small rosette plant on a winter morning. The tight framing reduces the scene to texture and colour contrast — lime green against frost-white and dark leaf litter. Captured on Christmas Day, the image reads as a close study rather than a composed statement.
Hoarfrost on the Moss Cairngorms National Park From £55
A hard frost coats the birch and pine woodland fringing a Highland loch on a windless winter morning, the frosted canopy reflected almost perfectly in water broken only by emergent reed stems. Ground mist lingers above the surface, softening the distant hills and lending the scene an unusual quietness for midday light.
Windless Morning, Highland Loch Cairngorms National Park From £55
Frost-rimed conifers meet the dark water of a Highland loch at Nethy Bridge, Cairngorms, on a Christmas morning. Fragile ice shelves extend from the treeline into the deep blue water, their organic forms echoing the curvature of the shoreline above. Shot directly overhead, the compressed perspective dissolves the familiar boundary between forest and water into near-abstraction.
Christmas Morning at the Loch Cairngorms National Park From £55
A temperature inversion smothers the Strathspey basin at dawn on Christmas morning, leaving only the frosted crowns of boreal conifers breaking the fog surface near Nethy Bridge. Isolated hilltops emerge as islands in the middle distance, and the sky grades from rose-pink at the horizon through pale cyan overhead. The aerial perspective compresses the layers into a near-abstract register of cold blue and white.
Christmas Dawn, Strathspey Cairngorms National Park From £55
A low temperature inversion smothers the Caledonian pinewoods bordering a still loch in the Cairngorms on a December dawn, the Cairngorm plateau emerging as a dark silhouette above the fog layer. Frost on the upper canopy catches the first raking light from the south-west while the water surface holds a near-perfect reflection of the mist ceiling. The composition resolves the tension between warmth and cold through the diagonal forest edge cutting across the frame.
Pinewood and Still Water Cairngorms National Park From £55
A temperature inversion settles over frost-laden pinewoods in the Cairngorms on Christmas morning, the rising sun dissolving the mist into horizontal bands of amber light. Hoarfrost rims every canopy, softening the distinction between cloud and tree until the forest becomes almost oceanic. Shot from altitude, the image strips the scene to atmosphere and pattern alone.
The Sun Begins to Win From £55
A temperature inversion fills the straths of the Cairngorms at dawn on Christmas morning, submerging the lower glens in fog while Scots pine forest, heavy with hoarfrost, emerges above the cloud line. A frozen lochan glints through a gap in the mist near Boat of Garten, with the profile of the Cairngorm plateau silhouetted against a pale amber horizon. The colour contrast between the warm sky and the blue-grey frost-laden canopy gives the frame unusual tonal range for an aerial winter shot.
The Glens Submerged Cairngorms National Park From £55
Layers of valley mist envelop a conifer ridge above Boat of Garten on a winter morning, reducing the forest to a single dark horizon between bands of moving cloud. Shot from altitude during a temperature inversion, the compression of the telephoto lens dissolves the landscape into near-abstract horizontal planes of grey, white, and muted green. The restrained palette and the slim reveal of treetops give the image a quality of suspension, as though the forest is surfacing rather than being submerged.
One Ridge Remaining Cairngorms National Park From £55
A temperature inversion fills the Strathspey valley with layered fog at first light, leaving frost-rimed boreal forest emerging through the mist like islands. The Cairngorm plateau silhouettes break the horizon beneath a pale salmon afterglow. Captured from elevation above Nethy Bridge on a still Christmas morning.
Boreal Forest Emerging Cairngorms National Park From £55
A temperature inversion fills the Strathspey valley with dense radiation fog at dawn on Christmas morning, reducing the conifer forest to a single suspended dark band between tiers of white mist. Shot from elevation above Nethy Bridge in the Cairngorms, the image resolves into four horizontal planes — fog, treeline, forested ridge, and a peach afterglow sky — with near-perfect tonal separation between them. The restraint of the composition and the stillness of the light give the scene an almost monochromatic quality despite the colour present.
Radiation Fog, Christmas Dawn Cairngorms National Park From £55
Lichen-encrusted birch trunks rise from a frost-touched understorey of heather and bilberry, the pale winter light filtering through bare canopy from the right. The repeating verticals create a quiet rhythm without resolving into a single focal point.
Lichen, Heather, Frost The Chilterns From £55
Crepuscular rays break through storm cloud above a Scottish loch near Pitlochry, casting raking winter light across still water and silhouetted hill flanks. The elevated viewpoint compresses the valley, aligning the loch's surface reflections with the source light in a single receding axis. Shot on Christmas Eve at low solar elevation, the geometry of cloud, mountain and water is unusually resolved.
Rays Over the Loch From £55
Low winter fog pools across frost-hardened floodplain fields beside the Thames near Abingdon, held in place by a sharp temperature inversion. Riparian trees on the wooded margin catch the first warm raking light from the south-east, their amber canopies standing clear above the mist while isolated hedgerow trees trail long shadow-wakes across the blue-white fog surface below. The diagonal edge between lit woodland and submerged plain carries the composition with controlled tension.
The Fog Line Thames Valley From £55
A temperature inversion fills the valley floor with dense fog while bare woodland emerges at the cloud margin, near Wallingford on the Oxfordshire Downs. A lone tree group crowns the distant hill in silhouette against a pale winter dawn sky. The foreground mist, lit from below, separates into distinct layers that give the scene unusual depth and spatial ambiguity.
At the Cloud Margin The Chilterns From £55
A temperature inversion smothers the Thames valley near Abingdon at first light, leaving trees in full autumn-to-winter transition stranded above a slow-moving sea of cold fog. A frosted meadow breaks clear to the right, its pale green a quiet counterpoint to the amber and burgundy crowns emerging from the mist. The aerial perspective dissolves conventional landscape geometry, reducing the scene to colour, texture, and atmosphere.
Stranded Above the Cold Thames Valley From £55
A temperature inversion smothers the Thames valley near Wallingford, leaving only the crowns of riparian trees and the ghost of the river channel visible from altitude. The cool blue of open water mirrors the sky between successive fog banks, while amber willow stems provide the only warm note in an otherwise tonal composition. Captured at dusk in mid-December, the image reads as pure abstraction without surrendering its sense of place.
Mist by the River Thames Thames Valley From £55
The River Thames emerges briefly from a low fog inversion blanketing the river near Wallingford, Oxfordshire. Bare trees catch the first winter light above the mist, their canopies isolated like islands in a slow-moving sea of cloud. The aerial vantage transforms a familiar agricultural landscape into something close to abstraction.
The Thames at Dawn Thames Valley From £55
A temperature inversion settles across the Thames Valley near Wallingford, submerging hedgerows and fields beneath a continuous white plane while isolated trees in late autumn / early winter colour rise through the fog layer. Shot at low drone altitude, the diagonal ridge of emerging woodland divides the composition, giving structure to an otherwise formless sea of mist. The pale warmth catching copper and amber crowns against the cool tonal frozen ground is what lifts this from record to image.
Copper Above the White Thames Valley From £55
A temperature inversion fills the Thames Valley floor near Wallingford, submerging hedgerows, farm tracks and scattered woodland to their crowns. Autumn-coloured trees pierce the fog layer, lit warm from the east as first light catches the upper canopy. A frost-whitened field in the foreground anchors the scene against the dissolving middle distance.
Hedgerows Gone Under Thames Valley From £55
A temperature inversion fills a lowland valley with rolling fog at dawn, reducing the landscape to isolated crowns of autumn colour. Warm first light catches the amber and russet foliage of deciduous trees, each group surfacing from the white like small islands. The layered recession of mist planes gives the scene unusual depth and structural calm.
Isolated Crowns Thames Valley From £55
Hoarfrost coats a cluster of dried seedheads and trailing spider silk on a slender branch, suspended against a soft blue-grey background suggestive of still water or mist. The freezing conditions have crystallised every spine and filament, creating a delicate tracery that holds the cold air of a December morning.
Seedheads and Silk Thames Valley From £55
Bare beech trunks recede into dense fog on a December morning in the Chilterns, Oxfordshire, the forest floor carpeted in rust-brown fallen leaves. Diffuse backlight from the upper left creates a pale, luminous atmosphere through the leafless canopy. The layering of trunks gives depth, though the composition lacks a clear singular anchor to draw the eye.
A December Morning The Chilterns From £55
Mature beech trees stand in dense autumn fog in the Chilterns, Oxfordshire, their bark dark against a cold blue-white diffusion of mist. A carpet of fallen copper leaves covers the woodland floor, contrasting sharply with the spectral mid-ground where trunks dissolve into vapour. The layering of near, mid, and far planes gives the scene unusual depth for a still, overcast morning.
Dark Bark, Pale Distance The Chilterns From £55
Sunrise in the Dolomites never ceases to amaze. Low clouds rolled down the steep banks of the mountains during this morning, where sunrise light bathed the distant scene, but left higher clouds and the foreground in deep shadow. This created a letter box style of framing over the vast forest visible here. Taken from our hotel balcony in the town or Cortina.
Layers of Cloud at Sunrise The Dolomites From £55
A band of low cloud bisects the scene, separating a dark foreground of snow-dusted conifers from a heavily fractured limestone face above. The monochrome treatment compresses the tonal range into layers, each plane of forest, cliff, and mist receding with quiet authority. The summit disappears into overcast, leaving the mid-mountain geology as the structural anchor.
A Band of Cloud The Dolomites From £55
A hairpin mountain road traces repeated switchbacks across a snow-covered alpine slope near Cortina d'Ampezzo, the dark asphalt cutting a rhythmic sinuous line through conifer forest. Shot directly overhead at midday, the nadir perspective strips away horizon and depth, reducing the scene to graphic pattern. The tonal contrast between cleared road, unbroken snow, and dark evergreen canopy gives the composition a near-typographic quality.
Switchbacks in Snow The Dolomites From £55
Star trails arc across a deep blue winter sky above the illuminated limestone towers of the Dolomites, their warm amber faces contrasting with snow-laden slopes below. A long exposure of several minutes has resolved individual stellar paths into short parallel dashes, the moon providing the ambient light that reveals every ledge and crack in the rock face. Conifers at the snowline anchor the composition and restore a sense of scale.
Star Trails Over the Towers The Dolomites From £55
Jagged limestone towers rise from deep winter snowfields, their fractured faces rendered in hard light against a darkened sky. The monochrome conversion amplifies the tonal contrast between sun-struck rock and shadow, giving the spires a graphic, almost architectural weight. A ski lift visible at the right edge anchors the scene in managed mountain terrain.
Limestone Towers, Deep Snow The Dolomites From £55
Low winter sun breaks through mist behind a spreading hawthorn, casting visible light rays through bare, lichen-covered branches. Hoarfrost holds on the rough grassland and scrub below, the cold blue of the frosted foreground contrasting with the warm backlight. The combination of crepuscular rays and frost suggests a brief, still moment in early morning before the mist fully lifts.
The Hawthorn Holds the Light The Chilterns From £55
A single pine tree clings alone to this vast mountain in the Cairngorms, which is covered by snow below moody grey clouds.
The Lone Pine Cairngorms National Park From £55
Walking through the snow covered forests in the Cairngorms National Park is always beautiful. The arching trees were thanks to the sheer amount of snow on the branches - the weight pushing down on the trunk bending the trees over.
Deep in the Glenmore Forest Cairngorms National Park From £55
Backlit at Sunset
Backlit at Sunset Cairngorms National Park From £55
Low January sun breaks through Scots pine, casting warm light across a snow-laden forest track. The path leads the eye toward an open mountain panorama, the middle distance filled with snow-covered young conifers glowing in late afternoon backlight. A small sunstar flares between trunks, anchoring the depth.
Snow on the Forest Track Cairngorms National Park From £55
A partially frozen lochan holds open water against a snow-covered Caledonian pine forest near Aviemore, Cairngorms, as low winter sun rakes long tree shadows across the white ground. The organic curve of the water body anchors the composition, its dark surface contrasting sharply with the luminous snowfield. Warm backlight from the south dissolves the valley into haze, lending depth to an otherwise monochrome terrain. Awarded
Long Shadows over the Caledonian Forest Cairngorms National Park From £55
Snow covers every branch on this scene from the Scottish Highlands, along a river that feeds the famous Loch Morlich in the Cairngorms National Park. A truly winter wonderland scene. Award winner
A Scottish Winter Wonderland Cairngorms National Park From £55
On the shore of the Loch Morlich beach - the highest fresh water beach in the UK - snow covered the landscape, painting the scene white. The calm waters beautifully reflected the winter scene.
Winter Reflections Cairngorms National Park From £55
Winter Birch Twins
Winter Birch Twins Cairngorms National Park From £55
A mixed woodland of birch and pine stands heavily rimed with hoarfrost and fresh snow beneath a flat, pale sky. The uniform coating of white across the canopy creates a near-monochromatic scene broken only by the warm bark tones of the foreground trees. Midday light offers no modelling, flattening depth across the composition.
Rimed and Still Cairngorms National Park From £55
Heavy snowfall reduces a mixed conifer and broadleaf woodland to a near-monochrome arrangement of dark trunks and suspended flakes. The shallow snow cover on the ground and the density of falling snow suggest a sustained mid-afternoon storm. Diffuse overcast light flattens contrast and softens the mid-ground, lending the scene a quiet, compressed atmosphere.
Heavy Snow, Dark Trunks Cairngorms National Park From £55
An ancient scots pine tree stands in front of a group of young birch. The scene is painted white in winter snow. From the Cairngorms National Park, Scotland.
An Ancient Sentinel From £55
A row of deciduous trees stands in near-silhouette at first light, their trunks framing successive layers of mist rolling across a lowland valley below. The cool blue cast and suppressed contrast suggest conditions shortly before sunrise in early May. A distant structure — possibly a farm building — anchors the middle distance without breaking the stillness.
A Row at First Light Cairngorms National Park From £55
Two trees, both covered in moss, look gnarled and ancient in this winter scene which is full of stubborn fog. A somewhat spooky scene.
Stubborn Fog The Chilterns From £55
An ancient Pine tree stands tall on the Loch Morlich beach below the dark sky of the Cairngorms, with the milky way clearly visible. Scotland
Old Pine Under the Milky Way Cairngorms National Park From £55
Beautiful reflections on this simple landscape on Loch Morlich, Scotland
Reflections at Loch Morlich Cairngorms National Park From £55
A road leads into the woodland of this Scottish winter scene, where heavy snow had fallen, Cairngorms, Black and White
The Weight of Snow Cairngorms National Park From £55
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Light on the Buachaille Glencoe From £55
A temperature inversion fills the glen floor with dense fog at sunrise, leaving two rocky summits isolated above the cloud. The winding road beneath the mist surface anchors the composition, hinting at scale and the valley's geometry. Shot in early winter, the frost-dusted ridgelines catch the first direct light while the foreground terrain remains in cold shadow.
Two Summits Above the Cloud From £55
Monarch of the Glen, Stag posing in front of frozen Buachaille, Glencoe Scotland
Monarch Before the Buachaille From £55
A red deer stag turns to face the camera at close range, frost dusting its muzzle and antler bases. Behind it, low cloud wraps the flanks of a bare Highland peak above a snow-covered glen floor. The compressed perspective places the animal in direct relationship with the mountain, grounding the portrait in its landscape context.
Frost on His Muzzle From £55
A pyramidal peak rises clear of a temperature inversion that has filled the surrounding glens with cloud, photographed from altitude at dawn in mid-winter. The peach-toned afterglow along the horizon separates the cloud sea from a cool blue sky, compressing the scene into three distinct horizontal bands. The composition is strengthened by the rocky foreground ridge leading the eye toward the isolated summit.
The Peak Stays Clear From £55
The cloud inversion during this sunrise was spectacular, with the sun managing just to break through to backlight the iconic Lagangarbh Hut (the wee white house) in the Glencoe Valley, with a huge shadow behind from the Buachaille, shrouded in the fog. To help soften the colours, I converted this to Black & White, as I think it best represents this scene. Awarded
Under the Shadow of the Buachaille Glencoe From £55
A solitary farmhouse and small stand of conifers sit exposed on a frost-bleached moor as a storm front sweeps overhead, its dark mass bisected by a shaft of diffuse light. A shallow moorland stream curves through the foreground, its still surface reflecting the unsettled sky. The tonal contrast between the luminous cloud break and the advancing darkness gives the image its underlying tension.
Storm Front, Lone Farmhouse Glencoe From £55
The Milky Way rises vertically above a stand of conifers in a Scottish glen, its core flanked by faint auroral red on the right horizon. Low cloud pools around the base of a pyramidal peak, while green airglow tints the left sky. The coincidence of galactic core, aurora, and valley mist in a single frame is rare and well-judged.
Milky Way Over Glencoe From £55
The River Coupall cascades over snow-dusted boulders below Buachaille Etive Mòr, its peak half-consumed by cloud. A long exposure renders the water as silk against the stillness of the frosted rockscape, the bare birches framing the pyramid summit with quiet insistence.
The Coupall Below Buachaille From £55
A red deer stag stands broadside on frost-bitten moorland, its breath just visible in the still air. Behind it, a conical Highland peak — likely Buachaille Etive Mòr in Glencoe — emerges from low cloud, framed by Scots pine and frost-white grass. The flat December light strips sentiment from the scene, leaving weight and cold.
Breath in the Cold From £55
Heavy snowfall covered the three valleys in over a metre of snow late in the ski season across the French Alps in Courcheval. It smoothed out the rolling rocky landscape into undulating white mounds, right towards the jagged peaks of these huge mountains. Low clouds rolled over the peaks, almost like candy floss. You can see marmotte trails in the snow, having emerged from their winter hibernation.
Fresh Snow in Courcheval Courcheval From £55
Deep shadows show the ridge line of this mountain peak in Chamonix, France. Black and White
The Chamonix Ridge Chamonix From £55