Christopher Harrison Photography
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Where Pixies Dwell

The Chilterns · Autumn

An incredible display of mushrooms and fungi on this fallen beech stump. Captured in The Chilterns, near Henley, Oxfordshire, England.

Camera
Sony α7R IV · Sigma 24-70mm F2.8 DG DN Art
Settings
1.3s · f/11 · ISO 320 · 26mm
Captured
15 October 2024
Shape
landscape
Appears in
Autumn Woodland PhotographyAwarded Photography

About the prints

For me, printing is the end of the photographic journey. You've done all the hard work, edited the files and reviewed them. Seeing the photograph come out of the printer is the reward. The depth of colour from a printed photograph beats seeing it on a screen a hundred times over. Bring the story and this experience home with you with a fine art print from my portfolio.

Bluebells at Sunrise Printed on A4
Bluebells at Sunrise printed on A4 Fotospeed paper, editioned, titled & signed.

Each fine art print from my website is printed by me at home on my Canon Pro-1000 professional printer. To ensure the best prints possible, I use Fotospeed paper. This is archival grade paper, ensuring accurate colour representation. I then sign, edition and package the prints and get them posted to you. With this in mind, please allow up to 10 days for dispatch. If there will be any further delay to this, I will let you know via email - such as if I am on a trip away and it will be longer for dispatch.

If you do have specific requirements please let me know via the contact me form, and I will endeavour to solve any queries or requests. For example, if you need the print quickly for a special occasion, just let me know, and I will try my best to make it happen!

Bluebells at sunrise printed a4 with the edition number in the bottom left corner
Showing the detail of a print - you can see all of the details of Bluebells at Sunrise up close.

Not everything I’ve photographed is in the shop. If you’ve seen something on Instagram, in a gallery here, or at an exhibition that isn’t listed, just ask.

Why there's a border

The print will come with a white border around the photo to allow space for editioning and signing. This will also make it easier when you come to frame & mount your photograph, giving some flexibility. I sign the prints in an archival permanent marker, so it'll never fade.

Signing and editions

Every print is signed by hand in the lower border. Where a photograph is issued as a limited edition, each print is numbered, and once the last number has sold I never print that photograph at that size again. I print, sign and pack every order myself.

Read more about how they're made →

More from this collection

A hoar-frosted silver birch stands at the margin of a still loch in the Cairngorms, photographed from above the canopy in the cold blue light of a December morning. The mirror-calm water flattens to a near-abstract wash of deep royal blue behind the white-etched canopy, stripping the scene to pure form and tone. The aerial perspective removes any horizon, leaving tree and water as the only subjects. Award winner
Frozen by the Loch Cairngorms National Park From £55
At first glance, this tree looks to be standing on a hilltop, covered in hoar frost, backed by a beautiful deep blue sky. However, on further inspection it becomes clear it has fallen onto it's side into a remote Scottish Loch. This was captured in the Cairngorms National Park in Scotland, on a bitterly cold winters morning, in December 2025. Whilst it was well below freezing, the water had not frozen as it was the first day of this cold spell. Awarded
The Fallen One Cairngorms National Park From £55
A temperature inversion smothers the Thames valley near Abingdon at first light, leaving trees in full autumn-to-winter transition stranded above a slow-moving sea of cold fog. A frosted meadow breaks clear to the right, its pale green a quiet counterpoint to the amber and burgundy crowns emerging from the mist. The aerial perspective dissolves conventional landscape geometry, reducing the scene to colour, texture, and atmosphere.
Stranded Above the Cold Thames Valley From £55
A temperature inversion settles across the Thames Valley near Wallingford, submerging hedgerows and fields beneath a continuous white plane while isolated trees in late autumn / early winter colour rise through the fog layer. Shot at low drone altitude, the diagonal ridge of emerging woodland divides the composition, giving structure to an otherwise formless sea of mist. The pale warmth catching copper and amber crowns against the cool tonal frozen ground is what lifts this from record to image.
Copper Above the White Thames Valley From £55
Low autumn sun breaks through a gap in mixed woodland in the Chilterns, Oxfordshire, casting distinct crepuscular rays between two moss-based beech trunks. A carpet of fallen leaves covers the forest floor while backlit golden foliage frames the burst of light. The mist implied by the visible rays adds depth to the receding treeline.
Between Two Beeches The Chilterns From £55
A nadir aerial view over mixed deciduous woodland near Henley-on-Thames records the uneven progress of leaf fall in mid-November, where yellow-gold crowns of oak and field maple sit alongside bare branch structures and the dark cones of retained evergreens. The flat, diffuse light of an overcast morning suppresses shadow and allows the tonal range of the canopy — ochre, buff, pale green and ash-white — to read as near-abstract patchwork.
Patchwork, November The Chilterns From £55